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Luca Anzalone’s photographs twist the stereotypical narratives of classical culture

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Jackbool-photo-int-list Work / Photography For Jack Bool, the beauty of analogue photography is in the unknowing

Jack Bool’s practice blends art photography with fashion, and these different ways of working inform each other. “I use art pictures in an editorial context”, the artist explains, “contextualising images to contradict their initial function intrigues me”. His images juxtapose beguiling still lifes, landscapes, high gloss fashion images and iPhone shots, to create smooth and cohesive series.

Suzannesaroff-fish-photography-itsnicethat-list Work / Photography Suzanne Saroff's meticulously arranged photographs alter perceptions

Photographer Suzanne Saroff began working in her discipline the way most do, developing a love for it through picking up disposable cameras and point and shoots. Hooked, the Missoula-born and now New York-based photographer “endeavoured to learn as much as possible about the art, teaching myself aspects of DSLR cameras and learning lighting techniques while exploring composition and subject matter,” she tells us. Since then, composition has become a part of Suzanne’s work she’s garnered a following for, arranging glasses filled with water to alter perceptions of a well-known object, from a lobster to half a papaya, or a bunch of peonies.

Turkina-faso-photography-itsnicethat-15 Work / Photography Turkina Faso's cover story for Odiseo issue 12 explores our skin as a uniform

“Evoking thoughts of conformity and lack of change, but also the sensation of equality and unity, issue 12 explores the significance of patterns, and the need for belonging,” reads the editor’s letter of the latest issue of contemporary erotic magazine, Odiseo, published by Folch. Focussed around a central question: “Who are you when you are alone, and who are you with others?” – the issue is dedicated to uniformity, “shaped into a publication”.

Luca-photo-int-11_copy Work / Photography Luca Anzalone’s photographs twist the stereotypical narratives of classical culture

Luca Anzalone’s photographs blur the boundaries between fantasy and reality; their surreal, performative quality twists the “stereotypical narratives of classical culture”, he explains. “What we constantly struggle to define as reality is just an illusion in our brains”, Luca tells us, “I’d rather play with that concept”. His images are reminiscent of an Alice in Wonderland-like world, a mixture of logic and nonsense juxtaposed to create experimental and theatrical photos with a scent of subtly and grace that is deeply sensual.

Ellie-art-int-list Work / Art Ellie Ji Yang’s idyllic paintings explore the rhythms of the natural world

Ellie Ji Yang’s joyful and colourful paintings explore the rhythms of the natural world. Brought up in Gwang-ju, a city in South Korea “that balances city and nature”, Ellie was surrounded by “greenery and small forests” from a young age. “Connected to nature, my memories of these places are the foundation of my imagination”, she tells us. Now based in Brooklyn, NYC, Ellie’s paintings vividly recall her childhood, creating idyllic, vibrant scenes, pointedly absent of anything human-made. Many of her works include animals reminiscent of Asian culture and symbolism, while others showcase worlds containing mysterious prehistoric and religious references.

Jackbool-photo-int-list Work / Photography For Jack Bool, the beauty of analogue photography is in the unknowing

Jack Bool’s practice blends art photography with fashion, and these different ways of working inform each other. “I use art pictures in an editorial context”, the artist explains, “contextualising images to contradict their initial function intrigues me”. His images juxtapose beguiling still lifes, landscapes, high gloss fashion images and iPhone shots, to create smooth and cohesive series.

Suzannesaroff-fish-photography-itsnicethat-list Work / Photography Suzanne Saroff's meticulously arranged photographs alter perceptions

Photographer Suzanne Saroff began working in her discipline the way most do, developing a love for it through picking up disposable cameras and point and shoots. Hooked, the Missoula-born and now New York-based photographer “endeavoured to learn as much as possible about the art, teaching myself aspects of DSLR cameras and learning lighting techniques while exploring composition and subject matter,” she tells us. Since then, composition has become a part of Suzanne’s work she’s garnered a following for, arranging glasses filled with water to alter perceptions of a well-known object, from a lobster to half a papaya, or a bunch of peonies.

Thinkpiece-image-list Work / Opinion Arts cuts are bad for our health – what are we going to do about it?

Jodie Cariss works as part of Forever Curious, a creative initiative set up to work with local east London primary schools. One of the many things they offer is a series of “buddy up” sessions, where industry professionals share stories with a view to make them come to life. Below, Cariss writes how increasingly important it is that these initiatives exist in a climate where cuts are rife and asks: What next for a generation let down by state funding for the arts?

The world feels messy. Politically unstable. A growing sense of slowly mounting chaos and fear over the unknown. One of the UK’s worst-hit areas is the education system. Teachers are leaving in droves. The National Audit Office has tasked mainstream schools with making £3 billion in savings by 2019 – that’s around £800 per pupil. Nearly a quarter of the teachers who qualified since 2011 have already quit the job.

Inevitably, money for creativity and the arts within the curriculum has been fiercely reduced, in some areas to non-existence. Our schools are facing a scarcity of teachers – or at least, many with depleted energy after meeting growing demands – and art cupboards with just one ream of A4 paper for 900 students. I’ve seen it with my own eyes in a Hackney school.

So what happens to a generation of young people, particularly the 4.1 million who are classed as underprivileged, with limited opportunities at home, and fewer at school?

There will be a rise in adolescents with behavioural issues, leading to a less mentally-well adult generation. We know creativity has a direct correlation to the way we feel and how we express emotion, and poor mental health is already on the rise, with one in four people experiencing a problem each year.
Without sounding like the doctor of doom, the education crisis will pave the way for social and creative regression. Why? Because creativity is fundamental to the way we understand the world, form and keep relationships and develop our own sense of self. The ability to create, which begins in early development as play and forms the foundation of the way we find meaning in later life, is essential for a balanced and stimulated generation.

Turkina-faso-photography-itsnicethat-15 Work / Photography Turkina Faso's cover story for Odiseo issue 12 explores our skin as a uniform

“Evoking thoughts of conformity and lack of change, but also the sensation of equality and unity, issue 12 explores the significance of patterns, and the need for belonging,” reads the editor’s letter of the latest issue of contemporary erotic magazine, Odiseo, published by Folch. Focussed around a central question: “Who are you when you are alone, and who are you with others?” – the issue is dedicated to uniformity, “shaped into a publication”.

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