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DixonBaxi's rebrand for Oscar-winning VFX company DNEG "suggests motion and constant transformation"

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DixonBaxi, DNEG rebrand

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DixonBaxi, DNEG rebrand

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DixonBaxi, DNEG rebrand

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DixonBaxi, DNEG rebrand

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DixonBaxi, DNEG rebrand

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DixonBaxi, DNEG rebrand

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DixonBaxi, DNEG rebrand

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DixonBaxi, DNEG rebrand

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DixonBaxi, DNEG rebrand

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DixonBaxi, DNEG rebrand

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DixonBaxi, DNEG rebrand

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DixonBaxi, DNEG rebrand

Cecile-legnaghi-graphic-design-itsnicethat-list Work / Graphic Design Graphic designer Cécile Legnaghi questions the role of display and caption fonts in her practice

“The project was born from questioning the use of a typeface today, and its trends, especially concerning its body size,” explains Paris-based graphic and type designer Cécile Legnaghi of her diploma project. While studying at École Estienne, she became fascinated by designers’ choices to utilise display typefaces at caption size – and vice versa. In response, Cécile set out to design three of her own, with the intention of them being used in both contexts.

Polinavasilyeva-graphicdesign-itsnicethat-list Work / Graphic Design Yale graduate and communications designer Polina Vasilyeva is a conductor of content

The portfolio of Russian-born Yale graduate Polina Vasilyeva is an amalgamation of communication design bits and bobs. The mix of styles and applications Polina dips and dives in and out of is easily seen on the designer’s website, which places them all together, on top of one another and side by side. “My website came from the initial desire to see the collection of my work as if it were laid on the table in front of the viewer,” Polina tells us. “A lot of my work as a designer deals with the performance, I believe that graphic design is a form of theatre, in which the designer is a conductor of the content that is being presented to the world.”

Sagmeisterandwalsh-thomashedger-itsnicethat-2list Features / Graphic Design Beauty through the eyes of Stefan Sagmeister and Jessica Walsh

Stefan Sagmeister and Jessica Walsh have been thinking about beauty. This might seem unsurprising, as both are designers who occupy the upper echelons of the design hierarchy, and aesthetics, you’d imagine, would be an ongoing concern. “One part of what we are doing is aiming to eradicate the tired notion that beauty is in the eye of the beholder,” says Stefan with a laugh. “Because it’s not.” I’m sat at the control centre of the Stefan and Jessica show, an office just off Broadway in Manhattan. Outside the meeting room where we are sat, a small team is working away diligently.

Folch-braulio-amado-graphic-design-itsnicethat-list-alt Work / Graphic Design Folch and Bráulio Amado's identity for Barcelona Design Week sheds light on issues of consumption

For the second year in a row Barcelona-based studio, Folch, has created the identity for its home city’s design week. Following on from the previous theme of “transformation” which showcased the work of sculptor Wilfrid Wood, the studio’s 2018 identity revolves around the concept of “revalue”, making use of the recognisable and well-loved illustrations of Bráulio Amado.

Jonathancastro-sanapp-graphicdesign-itsnicethat-list Work / Graphic Design Graphic design as “a colourful depiction of living spirit”: new work from Jonathan Castro

The vibrant work of graphic designer Jonathan Castro is constantly catching our eye when flicking through magazines or scrolling through our Instagram feeds. The designer’s career is eclectic as his portfolio, originally from Lima in Peru, before moving to Amsterdam to work at various studios, pushing out a bunch of freelance work in between.

Chris-harnan-publication-itsnicethat-list Work / Publication Chris Harnan's World Problem Solution Book is a diary, but not in the traditional sense

World Problem Solution Book is a diary, but not in the traditional sense. Produced over two years, the book is a visualisation of sporadic moments, conversations and memories penned by illustrator Chris Harnan. “It’s a representation of a period of time in my life, for sure,” he tells It’s Nice That, “but one that has been bastardised and spoilt through re-evaluating the events again and again.”

Gregsharp-hunnybee-unknownmortalorchestra-animation-itsnicethat-list Work / Animation Greg Sharp animates a video that builds in momentum for the catchiest song of the year

Anyone who has had their ears switched on over the past couple of weeks will have heard a song so catchy, it’s probably starting to drive you mad by now. The tune is Hunnybee by Unknown Mortal Orchestra with a melody as sweet and as its title. Just as we thought we were sick of it, Greg Sharp’s come along and made the loveliest animated video for it that we can’t stop watching now either. For God’s sake.

Grads2018_internships_list Regulars / The Graduates 2018 All internships are not created equal: how to spot the best opportunities and have the courage to reject the duds

Back in March Amalia Illgner wrote a long read on The Guardian describing why she is suing Moncole over her “dream internship”. The article pinpointed many of the issues of internships and how it “excludes the less privileged from the arts, media and politics”. Below, Amalia talks of her experience and the research she has found on the creative industries, providing some golden rules that graduates should be aware of.

Joel-meyerowitz_where-i-find-myself_photography_laurence-king_itsnicethat_list Features / Photography The porous and sometimes political work of legendary photographer Joel Meyerowitz

Having read so much about legendary photographer Joel Meyerowitz and his beginnings capturing the mean streets of 1960s New York, I am unprepared for the person I eventually hear down a phone line from Italy. I’m expecting to hear a voice with hard edges cut with a sharp tongue; instead I’m met with a languid, calm voice and an apology for having missed my first call.

Nicer-tuesdays-erica-dorn-list Work / Nicer Tuesdays Erica Dorn shares the intricate process behind the graphics for Wes Anderson's Isle of Dogs

If you stopped to admire the incredible graphic details in Wes Anderson’s Isle of Dogs, you were most likely admiring the work of Erica Dorn. As the lead graphic designer on the film, Erica was responsible for bringing together everything from the Japanese woodblock-inspired artworks to printed documents, product packaging and signage, which added beautiful intricacies to the dystopian future world Anderson was creating for his canine stars.

Thibaud-herem-raising-a-forest-illustration-itsnicethat-list-3 Work / Illustration Thibaud Herem gives an illustrated tour of his garden in Raising A Forest

Though widely known for his intricate architectural black and white illustrations, French artist Thibaud Hérem harbours an unexpected passion for gardening. His latest book Raising A Forest reveals so, and in turn uncovers an entirely different facet to his practice that sees his work break from the straight lines of brick walls and windows. Instead, the pages are filled with beautiful, delicate and colourful drawings of trees, leaves, plants and seeds, plus some gardener’s tools, laid out in a meticulous way that hints at Thibaud’s famous attention to detail.

Max-miechowski-photography-itsnicethat-list Work / Photography Max Miechowski's adept observations of light create honest and intimate portraits

At the age of 25, Lincoln-born photographer Max Miechowski quit his job to go travelling around south-east Asia with a group of friends. It was there that he began photographing en masse: “being in new and beautiful places, and experiencing different cultures, it felt really natural for me to photograph everything around me,” he recalls. Finding himself travelling to places specifically to photograph them, getting up early to capture the best light and take peoples’ portraits, he cut his trip short and returned to England, using the money he had left to buy a better camera.

Cover-stories-chris-clarke-list Regulars / Printed Pages Cover Stories: The Guardian's Chris Clarke on the magazine covers that influenced him and his work

In the run-up to the release of Printed Pages SS18, we’ve asked a selection of influential people in creative publishing to choose the seminal magazine covers that they loved, and made an impact on them and their work. The magazines could be from any time, place or niche of the publishing world. In this series, they’ll tell us why these particular covers left a lasting impression.

Charlotte-wales-kukeri-publication-itsnicethat-list Work / Publication Charlotte Wales and Chopova Lowena combine 80s wrestling and Bulgarian folklore in Kukeri

Fusing 80s wrestling culture with Bulgarian folklore might not be everyone’s idea of a good time, but by golly, it looks good on paper. Fashion photographer Charlotte Wales has collaborated with recent Central Saint Martins graduates, Chopova Lowena, to release a new book that combines just those two things – along with the designers’ latest collection.

Pitch_studios_-_mood_machine_-_digital_-_itsnicethat_-_01 Work / Digital Pitch Studios creates mesmerising, immersive digital experiences which invoke unique moods

A breathtaking recent project from future-forward thinking Pitch Studios has caught our eye and captured our mood. Back in May, the Australia-based studio collaborated with New York artist Matthew Keff and Melbourne music producer Lewis Cancut to create a mesmerising, immersive digital experience, Mood Machine, exploring the emotions induced by modern technologies.

Nicer-tuesdays-kyle-platts-list Regulars / Nicer Tuesdays Kyle Platts explains why teaching himself to animate was valuable to his practice

There’s no mistaking the handiwork of illustrator and animation director, Kyle Platts. Vivid and cartoonish compositions filled with strange, wobbly characters, their ballooned foreheads in profile bearing enlarged eyes, are his forte, and a long-time favourite of the It’s Nice That team. Here, he speaks about his recent dabblings in animation and the increasing desire to make his characters move, making utterly brilliant and hugely popular gif artworks.

Cecile-legnaghi-graphic-design-itsnicethat-list Work / Graphic Design Graphic designer Cécile Legnaghi questions the role of display and caption fonts in her practice

“The project was born from questioning the use of a typeface today, and its trends, especially concerning its body size,” explains Paris-based graphic and type designer Cécile Legnaghi of her diploma project. While studying at École Estienne, she became fascinated by designers’ choices to utilise display typefaces at caption size – and vice versa. In response, Cécile set out to design three of her own, with the intention of them being used in both contexts.

Polinavasilyeva-graphicdesign-itsnicethat-list Work / Graphic Design Yale graduate and communications designer Polina Vasilyeva is a conductor of content

The portfolio of Russian-born Yale graduate Polina Vasilyeva is an amalgamation of communication design bits and bobs. The mix of styles and applications Polina dips and dives in and out of is easily seen on the designer’s website, which places them all together, on top of one another and side by side. “My website came from the initial desire to see the collection of my work as if it were laid on the table in front of the viewer,” Polina tells us. “A lot of my work as a designer deals with the performance, I believe that graphic design is a form of theatre, in which the designer is a conductor of the content that is being presented to the world.”

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