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Antone Dolezal reimagines the narratives we construct to find meaning in life

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Mayafuhr-int-list Work / Photography Maya Fuhr’s sensual still lifes open us to a world of pleasure and vulnerability

It is not a secret that we are desperately fond of the nostalgic pastel photographs taken by Maya Fuhr, and her recent collaboration with Nox Shop has stolen our gaze. Making sex toys appear candy sweet, Maya’s recent series features soft, sensual still lifes that juxtapose dildo’s with idiosyncratic memorabilia. Excited by our interest in this project, Maya has drawn from her archive several other collaborations with sex shops. “I want to normalise using sex toys both in solitude and with partners, and create more open conversations among people in regards to what really pleasures them”, she explains.

List09_sha_svaneti_georgia_full_3500_2016-4416 Work / Photography Natasha Sharapova on shooting the last two inhabitants of a rural village in Georgia

Svaneti, an area in the north-west of Georgia, is a place quite unlike anywhere else. Tucked in the rare habitable pockets of the Caucasus mountains (sometimes even clinging to the sides), its villages are a patchwork of higgledy-piggledy dirt tracks complete with free-range cows, bear-like mountain dogs and the hairiest of pigs. Medieval defensive towers punctuate the landscape, built as places for the whole village to wait out enemy invaders – a tactic that worked so well that the Svan language, polyphonic singing style and many of its unique customs (blood feuds included) were just as impossible to conquer as the mountains themselves. The nearest town Mestia is between three and five hours of stomach-churning roads away, and in the harsh winter metres of snow damage this one road so completely that it needs to be laid again every spring. Here you can try to domesticate nature, but it has a will all of its own.

Michaeljamesfox-plastics-photography-itsnicethat-7list Work / Photography Michael James Fox's latest book is an unlikely celebration of plastic bags

Plastics is the unlikely celebration of plastic bags and, more generally, plastic objects that have caught photographer Michael James Fox’s eye over the years. Michael spent his childhood reading skate magazines and watching videos of peers with similar interests. Michael’s interest in photography was sparked when a friend gained access to a VHS camera. As time went by, Michael’s attention shifted from film to photography, the latter of which continues to interest him today. “Video making led me to photography when I was 16,” Michael tells It’s Nice That. “At that time I was obsessed with MC Escher and Dali, I wanted to create surreal images of my own. In the darkroom I sandwiched negatives together, experimented with blurring and even painted on prints.” It is safe to say that abstraction continues to be at the heart of Michael’s practice.

Noon-list Work / Publication For Noon, joy lies in the quality and uniqueness of the final product

Since its conception Noon “has always set out to consider what it means to be alive today”, Jasmine Raznahan, founder and editor, tells It’s Nice That. The SS18 issue is based around joy; they asked collaborators who “they felt aligned conceptually with the concept” to respond to the theme via a series of different lenses: “purity, repose, intimacy, love, shame and details”. These abstract sub-headings are representative of the thoughtful style we typically associate with Noon; a magazine that succeeds in bringing together its contributors in a harmonious, critical whole. “Each of the lenses became a story”, Jasmine explains, “and each of the stories became one of sixteen parts that all explored a common theme”. The sections are threaded together beautifully, gathered in unison by text and image.

List-image-locker-room Work / Art Locker room talk: Gray Wielebinski on appropriating the visual, spoken and body language of baseball

For their graduating exhibition at the Slade School of Fine Art, Gray Wielebinski turned the iconography and perception of baseball on its head, in an installation that creates what they describe as “a dream-like queer locker room setting”. A Dog Pees on Things for More than One Reason appropriates the visual codes of the sport to explore themes of “national identity – specifically in the USA, and Americana – desire, myth-making, sports, memory and childhood, fashion and masculinity”; and Gray describes the intention behind the work as being “to blur the lines between reality, memory, projection, hope and mainstream media representations, and to reconsider the framework for how the locker room occupies our cultural imaginations.”

Nicer-tuesdays-july-launch-list-img Regulars / Nicer Tuesdays Get tickets now for Nicer Tuesdays July

Tickets are now available for our next Nicer Tuesdays event, taking place on the evening of 31 July at Oval Space. Our speaker line-up this month features illustrator Nadine Redlich, animator Sophie Koko Gate and design studio Flat-e with our fourth speaker to be announced shortly.Nadine Redlich is a cartoonist and illustrator based in Dusseldorf and will be joining us for July’s Nicer Tuesdays to give an insight into her quick-witted illustrations. With a knack for turning uncomfortable feelings into simple yet altogether hilarious images, she has previously created work for The New York Times and Zeit magazine. Her talk will highlight how she turns the silliest and most embarrassing of moments into comic strips so relatable, they make you squirm. London-based animator and director Sophie Koko Gate graduated from the Royal College of Art and has been impressing with her immense illustrative skill ever since. Having worked for the likes of Google Pixel, Ace & Tate and Airbnb, Sophie’s work is intricate and accomplished, not to mention funny and ever so slightly weird. At this month’s event, she’ll be talking us through an animation for Adult Swim and performing a mini set with her band John Daker. To accompany Daniel Avery’s latest album Song for Alpha, London-based design studio Flat-e created a fully visual, merging and looping interpretation of the album spanning just over an hour. With a portfolio packed full of live show visuals for various musical artists, its this latest project that the studio will be telling us all about at this month’s event. As the album plays with exploring “the space in which home listening and club music intersect,” Flat-e will explain its response to this and how it created something which can be watched at home, or on a night out.

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